Welcome back to this week’s Top 40 Countdown!!! If you missed the previous songs, you can go ahead and check out songs 40-31, 30-21 and 20-11. We are down to our top 10 songs. We have some true classic songs coming up, so let’s get to it. Let’s Return to the week ending November 27, 1982, and wrap up this week’s countdown.
Speaking of Michael Jackson, this was the first single released from his up and coming album, Thriller. At least he got the worst song out of the way! It wouldn’t be so bad if it wasn’t for all that yapping at the end.
Love this song by Joe Jackson! It peaked at #4, and was Jackson’s highest charting hit in the U.S. This song received a Grammy nomination for Record of the Year in 1983 but lost to “Rosanna” by Toto, which is fine by me.
Unfortunately, I am all too familiar with this song. My mom is the biggest Neil Diamond fan, so this was my life. I do like his early stuff a lot. But, I didn’t care much for his easy listening music. This song was written by Diamond, Carole Bayer Sager and her then-husband Burt Bacharach. They were inspired by the blockbuster movie E.T. the Extra-Terrestrial, which Diamond, Bayer Sager and Bacharach had all seen together.
This classic duet is from the film, An Officer and a Gentleman (which I have yet to see). The movie’s producer, Don Simpson, demanded “Up Where We Belong” be cut from An Officer and a Gentleman, saying, “The song is no good. It isn’t a hit.” (Sounds like a Trump tweet. Oh shit, here come the comments and emails!). It’s a good thing Simpson was a movie producer, and not a music producer. The song was a #1 hit in the US for three weeks, won the Golden Globe Award for Best Original Song and the Academy Award for Best Original Song. It also won the BAFTA Film Awards for Best Original Song in 1984. Cocker and Warnes also won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal in 1983.
This is one of those new songs that was placed on a Greatest Hits album. And this song definitely belongs there! I love this ONJ song! It was the first single released off of Olivia’s Greatest Hits Vol. 2, and was nominated for a Grammy Award for Best Female Pop Vocal Performance.
I have always loved Laura Branigan’s voice, and I had a huge crush on her. I was devastated when she died in 2004 from a brain aneurysm. This was Branigan’s signature song. It peaked right here at #2, and remained her for three weeks.
“Hello” seems to get all the love out of Lionel Richie’s ballads. But, this one is my favorite. This was also Richie’s debut solo single. It was the first single released off of his self-titled debut album. The song won a Grammy Award for Richie in the category Best Male Pop Vocal Performance. Not a shabby start for a solo career.
That wraps up this week’s countdown. I hope you enjoyed it. Did you have any favorite songs this week? Are there any that you got sick of hearing? I’d love to hear from you. Until next time, Keep your feet on the ground and keep reaching for the stars.
[after Sykes makes fun of George’s name] Det. Samuel ‘George’ Francisco: It is like your name… Sykes. I’m sure it doesn’t bother you at all that it sounds like “ss’ai k’ss,” two words in my language which mean “excrement” and “cranium.”
[pause] Det. Samuel ‘George’ Francisco: Shithead.
Happy 65th birthday to Mandy Patinkin!!!
If you’d like to buy, or watch this movie on Amazon, click on the movie poster below:
Welcome back to this week’s Top 40 Countdown!!! If you missed the previous songs, you can go ahead and check out songs 40-31 and 30-21. I hope you’re enjoying this trip down Memory Lane this week. We have a great mix of songs today, including a Long Distance Dedication. So, let’s Return to the week ending November 27, 1982, and move on with the coutndown!
In 1980, Billy Joel started to reinvent himself from Piano Man to Rock Star, with his Glass Houses album. The trend continues here with this song from his Nylon Curtain album. And we have all felt pressure, so we can relate to this song.
The Bee Gees did not record as much music in the ’80s as they did in the ’70s. However, they were still very active, writing songs for other artists, including this one. Dionne Warwick’s career did not end with Solid Gold. She hit the top 10 with this song.
I absolutely love this song! Stephen Stills sings lead on this one, and he co-wrote it with Rick Curtis and Michael Curtis. David Crosby did not rejoin the band until the Daylight Again album was under way, so his vocals were not featured on the album version of this song. Timothy B. Schmit of the Eagles and Art Garfunkel provide backing vocals. So you still have great music and harmonies.
An awesome, yet overlooked song by Survivor. Of course, it can be understandable since it was featured on the Eye of the Tiger album. Not too many songs could survive competing against that title track. This Dave Bickler era of Survivor provided a lot of great songs, including this one.
This is perhaps my favorite Pat Benatar song. Unfortunately, at one point I had a roommate who was a guitarist, and he pointed out how awful the guitar solo is in this song. Now, it sticks out like a sore thumb to me. But, I still love the song. Benatar is one of the greatest rock vocalists of all time.
In the early ’80s, country-crossover hits were quite the rage. Here is another one. The song became Sylvia’s signature song and got her nominated for a Grammy award in 1983 for Best Female Country Vocal Performance. It also helped her take home the Academy of Country Music (ACM) award for Top Female Vocalist of 1982. She never had another crossover hit after this, but she still had plenty of more hits on the Country charts.
Meh. I’m not a huge Supertramp fan. It doesn’t help that one time, somebody stole my Journey Evolution cd out of the case, and replaced it with Supertramp’s Greatest Hits. I may forgive, but I do not forget.
This song reached number one on Billboard’s Hot R&B Singles chart, where it stayed for a record ten weeks before being replaced by Michael Jackson and Paul McCartney’s duet, “The Girl Is Mine”. Personally, I think he should have held that Jackson/McCartney crapfest out of the #1 spot. This was also the first single since his exit from his long-term record label Motown earlier in the year,
I live and breathe the ’80s every day. But, sometimes even I need a jumpstart to kick my ’80s love into high gear. And I got that this past weekend when I saw my favorite group, Rubix Kube, in concert. Not only is the playlist awesome, and different, each time I see them, but they are extremely talented musicians. And if that is not enough, just being in the same venue with tons of people, who share the same love and passion for the most rad decade, is enough to totally rejuvenate you and get you on an ’80s high.
So Casey, Please play one of Rubix Kube’s signature songs, their cover of The Buggles’ “Video Killed the Radio Star” for all my awesome fellow ’80s fans.
Welcome back to this week’s Top 40 Countdown!!! If you missed the first installment, you can go ahead and check out songs 40-31. With the help of MTV, there are a lot of classic songs from this time. And today’s selection has plenty of classics, and even some lost hits. So, let’s Return to the week ending November 27, 1982, and continue the countdown!
This was the first of 2 Top 40 hits by The Clash. According to Songfacts, when this became a hit, Joe Strummer considered leaving The Clash. He couldn’t justify singing rebellious songs when the band was rich and successful. In their early years, when they were struggling, their music was sincere, but he felt they were becoming a joke.
When the band broke up in 1985, it was speculated that their plan all along was to break up once they had conquered America, a feat that was achieved by “Rock the Casbah” becoming such a huge hit along with “Should I Stay or Should I Go?.”
Previously unreleased, producers just assumed this would be a hit, and included it on Fogelberg’s Greatest Hits album. Luckily, they were right, and it peaked at #23 on the U.S. charts, and #29 in Canada.
as the band’s highest charting hit in the UK, peaking at No. 4 on the UK Singles Chart. It would peak at #18 on the U.S. charts. On the album, this song is listed as “The Look Of Love (Part One),” with the last track being a short version of the song called “The Look Of Love (Part Four).” What happened to parts two and three? They appear on the 12″ single along with the others. Part Two is an instrumental, and Part Three is a remix.
Chicago was fading away after having incredible success in the ’70s. Then producer David Foster came along, and kicked them back into high gear, giving them a huge comeback with Chicago 16. This was the second single released from the album. Most of their hits in the ’80s were ballads, including this one. However, I would highly recommend listening to any of their full albums. They have so much more great music that you may not know about.
Forgotten hit of the ’80s. This was released from their self-titled debut album. It would be the first of 2 hits for the band (“Dreamin’ Is Easy” was the other). This was a staple on MTV in the early days. Then again, in those early days, any music video was a staple.