Well, here we are. The Top 10 songs in the U.K. this week in 1983. If you missed the previous songs, you can go back and check out songs 40-31, 30-21 and 20-11. There will be some very familiar songs on here for us in the U.S. However, there may still be some pleasant surprises. You can click on the song title to get to the song on YouTube, and you can click on the album cover to get the song from Amazon. Now, let’s Return to the week of March 6, 1983, and wrap up the countdown.
While this British Jamaican reggae band had only 1 hit in the U.S. (“Pass the Dutchie”), they had several hits in the U.K. between 1982 and 1984. This was their second biggest hit, peaking at #6 on this U.K. chart.
Unlike Musical Youth, the Thompson Twins had several big hits in the U.S. But, this was not one of them. It did come close, peaking at #45. However, this was a top 10 hit in several other countries, including here in the U.K. where it peaked right here at #9.
Here is another group that did not make it big in the U.S., with only two Top 40 hits. In the U.K., Madness was huge! And so was the group Madness. (my Brit friends get it) I wish this song made it over here in the U.S. I love it! “Our House” can really get stuck in your head, and this could have done the same.
We should all know this song, at least from the original version by Steam. And any sports fan knows this song when their team is about to beat their opponent at home. This is a girl band version of it. I love everything Bananarama does. This was yet another song that did not hit big in the U.S., peaking at #101. But, it was a top 10 hit here, peaking at #5. This was the fifth single released from Bananarama’s debut album, Deep Sea Skiving.
Forrest is not known in the States. But we all know this song from the 1974 original by The Hues Corporation. Forrest does a great job with this. I wish it would have made it in the U.S. so I could hear it more often on 80s stations and shows.
Maybe it’s possible that some of you may know this song. It was only a top 10 hit in every country in the world that has music charts, and was #1 in almost all of them. Not only was this a worldwide smash in 1983, but it became a huge hit all over the world once again when Jackson died in 2009. It wasn’t reaching the top spot again in most places. But, it was a top 10 hit just about everywhere.
And here we are at the #1 spot! This song was written by Jim Steinman, who is best known for being Meat Loaf’s producer. This was Bonnie Tyler’s biggest hit, topping the charts in several countries. I love this song, and most Steinman produced songs.
This was not planned, but it is definitely fitting that “Total Eclipse of the Heart” is the #1 song. I got the idea of doing the Top 40 this week from the U.K., from a conversation I had with my best friend, who happens to be from Wales, which is where Bonnie Tyler is from. Bestie and I were talking about music. I had already known that there are a lot of songs that were huge in the U.K, but never made it here. But, this got brought to the forefront of my mind from our conversation, as I did not know some bands Bestie brought up. And there were singers I heard of, but didn’t know they were in a band. So, I thought it would be great to discover great new music.
I hope you all thought this was a good idea. Please let me know if you’d like to see more of these. I’ll be back with a new countdown in the near future. Maybe it will be from the U.S. or from the U.K.
Welcome back to another installment of this week’s Top 40 countdown. If you missed the previous entries, you can check out songs 40-31 and 30-21. So far, it’s been a pretty good week. Let’s see if it continues. Let’s Return to the week ending August 27, 1983, and move on with the countdown.
This smash hit by Bonnie Tyler is the second Jim Steinman song on this week’s countdown. This song still stands the test of time as I have heard it on several recent television commercials. And of course with the recent eclipse, the song has been getting even more airplay.
19. “Rock ‘n’ Roll Is King” by Electric Light Orchestra (ELO)
In the ’80s, there was a lot of nostalgia for the ’50s and ’60s. This song has that old time sound.
This song got by me. I had never heard it before. It isn’t too bad. This title track from Browne’s seventh album was the highest charted song from this album, which also includes “Tender Is the Night” – which I have heard of.
This pretty song was the 5th single released from the legendary Thriller album. They must have broken the budget with all the previous singles, because there is no music video for this. This song was written by Steve Porcaro (the keyboardist from Toto) and John Bettis.
This was the first single released off of Billy Joel’s album, An Innocent Man. I loved it when it came out. Then got sick of it as it played on MTV constantly. Then I missed it when the follow-up single “Uptown Girl” got overplayed even worse.
This is one of the more iconic songs of the ’80s. There is no mistaking which decade this song belongs to. And no, perverts, this isn’t about safe sex. This is an anti-establishment song. The following is from a very cool article from Confessions of a Pop Culture Addict. Sam Tweedle interviewed the writer/lead singer of Men Without Hats, Ivan Doroschuk. Sam asked Ivan about the origins of the song. Ivan explained that “The Safety Dance” is a protest against bouncers stopping dancers pogoing to 1980s new wave music:
The inspiration for the song was from back in the days when Punk and “New Wave” were starting off and the discotheques were still playing disco music. But every now and then they’d slip in Blondie’s Heart of Glass or Rock Lobster by The B-52’s. Well, obviously, anybody who was into that kind of music would rush on the dance floor and start jumping up and down and would bang into the guys trying to do their disco two steps. I got thrown out of a lot of clubs because of that. So that’s basically the origin. I was kind of mad that they wouldn’t let me dance if I wanted to, so I took matters in my own hands and wrote an anthem for it.
That’s it for today. There were some very familiar songs, and others that don’t get much airplay on ’80s radio these days. Let’s see what tomorrow will bring when we wrap up the countdown.
The Return to the ’80s Podcast is back! We return in a big way, talking about one of the most iconic ’80s movies. Robert and Paul are joined once again by Marissa (who last appeared on the ’80s Crushes episode). So come cut loose with Return to the ’80s, where dancing IS allowed, and join in on the discussion of this classic movie, and enjoy some great music along the way!
Remember That Song We’ve always had time on our sides
But now it’s fading fast
We’ve got to, we’ve gotta make it last
On the show thirtysomething, what was the name of the company Michael and Elliot owned in the first season?
– Released February 17, 1984
– Made $80 million domestically with an $8 million budget
– Kevin Bacon as Ren McCormack
– Lori Singer as Ariel Moore
– Chris Penn as Willard Hewitt
– Sarah Jessica Parker as Rusty
– John Lithgow as Reverend Shaw Moore
– Dianne Wiest as Vi Moore
– Jim Youngs as Chuck Cranston
– Directed by Herbert Ross
– Written by Dean Pitchford who also wrote or cowrote every song here
– The dancing feet in the opening credit sequence contained many of the cast and crew. Over 150 different pairs of feet were shot. The dancer with the gold shoes was actually Kenny Loggins.
– The scenes where Chris Penn learns to dance were purposely added to the script because he really didn’t know how to dance!
– With the Principal’s knowledge, 24-year-old Kevin Bacon attended the Payson Utah High School as “Ren McCormack”, a transfer student from Philadelphia to get into his role. With his narrow tie and new-wave haircut, he was treated pretty much like in the film. Bacon gratefully left with the location scouts on the afternoon of the first day.
– Pecking order: Wyoming < Nebraska < Illinois
– Opening scene
– Was that kid really sleeping? Reverend Shaw’s sermon
– Psycho? Rebel? You be the judge, while listening to Sammy Hagar’s “The Girl Gets Around”
– What does Robert, who is an English teacher, think of book burning. We’ll give you 1 guess
– “Do you read much?” – Slaughterhouse Five discussion
– Drive-in diner dancing scene Dancing in the Sheets by Shalamar
– Ren pulls into school blaring Metal Health
– They sell men’s clothes where you got that? Ren meets Willard
– We find out dancing is banned
– Ren gets pulled over
– Ariel wants to go to college and get out of that town – “Somebody’s Eyes” by Karla Bonof
– Awesome tractor chicken scene – Holding Out for a Hero by Bonnie Tyler
– Angry dance – Never by Moving Pictures
– Dancing in Bomont is illegal. Underage drinking? Perfectly acceptable
– Look out Moving Pictures! Marissa and Robert perform “What About Me” for the first installment of Return to the ’80s Karaoke
– Ren and Ariel – train scene
– The gyrating in the seats from listening to music caused the car accident that killed Ariel’s brother. ALCOHOL HAD NOTHING TO DO WITH IT!
– Willard can’t dance
– Creepy dude tries picking up high school student, Rusty
– ’80s Movie + Bar Scene = FIGHT!!!
– Shaw and Vi at church – You can lift a congregation up so high they have to look down to see heaven. But it’s the one to one where you need a little work.
– MONTAGE!!!!!! Let’s Hear It For the Boy by Deniece Williams
– Ren teaches Willard how to dance. In every possible place where they can be seen. In a town that does not allow dancing.
– “You’re so stupid!” – Cranston gives Ariel a beatdown
– Ariel gives Ren a bible with verses highlighted for him to use at the town council meeting
– They had it coming! Somebody throws a brick through the window of Ren’s little cousins who helped him teach Willard how to dance
– Town council scene
– There’s nothing like a good ole fashioned book burnin’!
– MONTAGE #2! Setup for the dance – ” I’m Free (Heaven Helps the Man)” by Kenny Loggins
– Pick a winner! The dance begins – kinda. “Almost Paradise” by Mike Reno and Ann Wilson
– Ninja Ren. The climactic fight scene
– Everybody cuts loose!
– Why?!?!? Footloose remake. Well, it’s not as horrible as the Dirty Dancing remake, so there’s that.
We are back with a new episode of the Return to the ’80s podcast! After having technical difficulties, and losing a great episode about Ghostbusters (which we will have to revisit), we came back strong with some Slippery When Wet! Bon Jovi has recently released a new album, This House is Not For Sale, which was a #1 selling album. With this year being the 30th anniversary of the iconic ‘Slippery’ album, we decided to Return to 1986, and revisit it. And we are taking a guest with us on this trip – Scott from 80s Mixtape Autoreverse and 80’s Reboot Overdrive. So come check us out, and listen to our take on this classic album.
Our coverage of the classic 1984 movie, Footloose, continues today. Yesterday was a review of the movie itself. Today, Robert is going to cover what very well may be the heart and soul of the movie - the music. Enjoy!
Movie-wise this is my absolute favorite not very good movie. The plot is weak, the acting is passable, and the dialogue is, at times laughable. Consider when Ariel is spitting mad at Chuck Cranston. During an argument, Chuck is being petty and jealous while physically roughing Ariel up a bit. Now, Ariel has every insult and curse at her disposal; and she opts for, “You’re so stupid!” It is difficult to find a positive review by any movie critic . . . and I don’t care- I LOVE THIS MOVIE!!! One thing I have always enjoyed more than the actual film is the movie’s soundtrack. I have seen the movie countless times: several times in the movie theatre, nearly 30 times on VHS and a dozen times on Netflix (in fact, I have it on Netflix as I write this). All of these viewings do not hold a candle to the number of times I have listened to the soundtrack. I own it on vinyl, cassette, and CD – always at the ready in case someone asks about it or I just want to be washed away in nostalgic memories.
According to Billboard, the soundtrack has sold a total of 9,000,000 copies and was #1 on the album charts for weeks (April 21 – June 30, 1984). This soundtrack spawned six Top 40 songs with three of those being Top ten hits: “Footloose” #1, “Let’s Hear It for the Boy” #1, and “Almost Paradise” #7. With all of this success, this soundtrack must be loaded with great songs, so let’s take a look.
Footloose (#1) by Kenny Loggins (opening credits, bar scene, and prom)
Loggins is easily considered the “soundtrack king” of the ‘80s, and this song is one of the big reasons why. It is not his first soundtrack hit nor will it be his last in the ‘80s, but it may be the most popular. I recently took my younger daughter to a popular local event “Daddy Daughter Date Night.” It is an annual dinner and dance for fathers and their daughters (between first and fifth grades). During the dance portion, the DJ played Footloose and all of the girls screamed and rushed to the dance floor. As much as I love this song, the reaction of all of these young girls to a song released over twenty years before they were born gave me goosebumps; this must be a sign of a true classic. The video contains clips from the film. The original video release was Ren’s big dance scene – that never made sense to me because they used a different song in the film (see track 9).
Despite this song being a huge hit and being used in a funny montage in the movie, it may be my least favorite. It has a memorable chorus and a smooth dance beat, but it has never really appealed to me – I have no good reason – it just doesn’t.
Almost Paradise (#7) – Almost Paradise by Mike Reno (from Loverboy) and Ann Wilson (from Heart) (prom as well as an instrumental version in the music box that Ariel gives Ren)
There is not much I can say about this song. It is one of the all time great love songs from the ‘80s. I have danced to it with my girlfriend (now wife) and it will always be one of my favorite romantic songs that I cannot, and will not, turn off before it is finished.
I love Tyler’s first big hit “Total Eclipse of the Heart“, but I think this song is even better. I am shocked it only reached #34 on the Billboard charts. This song has some grit and enthusiastic drive. It has some of my favorite lyrics on the soundtrack. I have even used these lyrics in my English classes when discussing the importance of heroes to society and literature and the difficulty we have pinpointing the constantly changing definition, “Where have all the good men gone and where are all the gods? Where is the street-wise Hercules to fight the rising odds?”
This is a good, catchy dance tune. The first thing that pops in my mind now is a friend of mine who directed Footloose: The Musical at the high school where I teach. He was forced to cut this song because of its suggestive lyrics. C’mon, that is kinda funny. The video is from American Bandstand (remember that show?).
This is Loggins’ second appearance on this soundtrack, and, while I possess the proper reverential love for the title track, I do like this song better. It should be impossible to separate a good soundtrack from the film; perhaps this becomes a reason that I really like this song. This song fits the movie perfectly, maybe even better that all of the others. Lyrically the song is about fighting for what you believe in and striving to achieve success. In the film, this song marks Ren’s success at the town council meeting and the beginning of the preparations for prom. This lyrics to this song serve an inspirational purpose and the fit perfectly for the film’s transition to the prom scene, “Looking in your eyes, I know I’m right / If there’s anything worth my love, it’s worth the fight / We only get one chance, and nothing ties our hands / You’re the one I want, listen to me / Nothing I want is out of my reach.”
Somebody’s Eyes – by Karla Bonoff (Ariel and Chuck sneaking away to the woods)
This is the only track on the original soundtrack that does not receive any primary attention in the film. It is heard in the background, playing on the radio that Ariel brings with her on a secret, and illicit, meeting with her jerk boyfriend. The song itself is an easy-to-listen to pop song with a good chorus and decent guitar solo. Bonoff’s vocals are haunting and soothing at the same time.
This is the only true rocker on the original soundtrack. Honestly, Hagar is somewhat out of place here. Even though this appearance is before he joined Van Halen, he was already known as the Red Rocker and had a number of heavy guitar driven, popular songs. The song is great – it fits Hagar’s style and matches the scene in the film quite well. Despite this, it does not truly match the overall sound of this soundtrack. The video is from a live performance in St. Louis.
Never – by by Moving Pictures (Ren’s solo dance of frustration)
This is my personal favorite track. I love the rhythm guitar riff and I think the scene it is used in fits perfectly. I have always been a bit of a sap for the cheesy inspirational lyrics and this song has a great one, “If you don’t give your heart wings, you’ll never fly.” I do not even care that Kevin Bacon is not the one dancing in this scene- this song carries an uplifting message with a catchy beat.
The 1998 reissue of the soundtrack included four additional tracks, but I am sticking with the original release.
In the ‘80s there was such a strong connection between movies and their soundtracks. In some of those films the music played a prominent role. If you track Top 40 hits from soundtracks, you will see double digit numbers in ‘84, ‘85, and ‘86. Footloose is clearly one of the most famous and successful examples. The music on this soundtrack can be called nothing except iconic. I never tire of watching the movie or listening to this amazing soundtrack. Every list of best soundtracks is obligated to include this shining example at at near the top.
Hi Everybody, it’s about time for another Top 40! This week, we are Returning to the mid-’80s: specifically 1984. This was a very good year for movies and music. There was one movie, which was released 2 months before this countdown, that heavily influenced the music landscape. You’ll know what movie I’m talking about before we even finish this first list of songs. This week’s countdown is also brought to you by my flu-induced fever. So, if I seem a little more crazy than usual, and don’t make sense, we’ll blame it on the fever, and you can just go ahead and click on the song titles to enjoy this awesome music! So, let’s Return to the week ending April 14, 1984, and begin the countdown!
What a great way to start the countdown! This is one of my favorite Madonna songs, and was her first Top 10 hit. 31 years later she is still releasing new music. She just released her 13th studio album, Rebel Heart, last month. Her appearance on The Tonight Show with Jimmy Fallon proved that she still has a presence. However, Jimmy Fallon’s over-the-top ass kissing was even more over-the-top than usual in the interview. Even though I didn’t care too much for the song itself, her performance of “Bitch I’m Madonna” was outstanding, and proved that she’s just as good as any pop star out there today (which really isn’t saying much – but still).
Here is the first song in this countdown from the movie Footloose. This song also came off of the R&B group’s eighth album, Heartbreak. This was Shalamar’s first album without Jeffrey Daniel and Jody Watley.
OK, is everbody starting to see a trend here already? This was a huge hit from Footloose. It hit #1 on the U.S. Billboard Hot 100, as well as the dance and R&B charts. This song also had backing vocals by George Merrill and Shannon Rubicam, who would go on to become known as the duo Boy Meets Girl.
YES!!!! “You should’ve been gooooone/Knowing how I made you feel/And I should’ve been goooone/After all your words of steel” This was the Journey singer’s biggest solo hit. This was written for Steve Perry’s then-girlfriend Sherrie Swafford (who also appears in the video). Lucky for us, he decided to jinx his relationship by writing a song for her instead of going with the traditional tattoo-of-her-name jinx. This song is a stand out on Perry’s Street Talk album, which is solid with outstanding songs.
Footloose song #3 so far. This is one of my favorite songs from that soubndtrack. It is a great rocker. I love Bonnie Tyler’s edgy voice. The music is awesome too. It was written by Jim Steinman (who wrote a lot of Meatloaf’s biggest hits) and Dean Pitchford. This song also played during an awesome part of the Footloose movie.
The only song I knew Matthew Wilder had was “Break My Stride.” This is the song that prevented him from being a one hit wonder. This song isn’t too bad. I don’t know if I’ll run out and buy it, but I kind of like it. It’s a good upbeat song, and even has a dueling sax solo!
This song was off of the Pretenders’ third album, Learning to Crawl. This was the first album they came out with after two of their members, James Honeyman-Scott and Pete Farndon both died of drug overdoses. This song isn’t mind-blowing, but it is a solid Pretenders tune. If you like the band, you’ll like this song.
This was a perfect song at the peak of the break dancing craze. This song would peak at #8, making it Irene Cara’s third (and last) Top 10 hit.
Well that wraps up today’s list of songs. I’m still alive, and able to type, so I’ll be back tomorrow to continue the countdown. There are going to be some more classics this week, so please come back.