Who propped you up when you were stopped low motivation had you on the ground
I know your first reaction you slide away hide away goodbye
But if there’s a doubt maybe I can give out a thousand reasons why
Last Song: “Church of the Poison Mind” by Culture Club from the album Colour by Numbers (1983)
Welcome back to a new week of the Top 40 countdown! This will be a slightly different format. My comments will be limited to 1 or 2 sentences. If you would like to hear the song/see the video on YouTube, you can click on the song title. If you’d like to listen or buy the song from Amazon, you can click on the album cover. We are in the heart of the 80s for this countdown, so there will be some great songs this week. So, let’s Return to the week ending January 19, 1985, and begin the countdown.
Hi Everybody! Welcome back as we finally conclude the countdown. I’m sorry it took so long to wrap this up, but sometimes real life happens. If you missed the previous songs, you can check out songs 40-31, 30-21, and 20-11. What a blast going down memory lane! Now, let’s Return to the week ending August 27, 1983, and wrap up the countdown.
And don’t forget, if you click on the song title, you can see the video of the song. If you click on the album cover, you can listen to or purchase the song on Amazon.
The great David Bowie re-invented himself once again with the Let’s Dance album. This classic was the second song released off of that album. Bowie was one of the many of our 80s icons that passed away last year. He is missed.
This is a great signature song for Stevie Nicks’ solo career. Stevie is almost 70 and still going strong. In an interview with Rolling Stone, Stevie was asked how it felt to be turning 70 in 2 years. She said:
I don’t like that number. I see lots of people my age, and lots of people who are younger than me, and I think, “Wow, those people look really old.” I think it’s because they didn’t try. If you want to stay young, you have to make an effort. If I wanna walk onstage in a short chiffon skirt and not look completely age-inappropriate, I have to make that happen. Or you just throw in the towel and let your hair turn white and look like a frumpy old woman. I’m never gonna go there.
This cover of the Irving Berlin song was a huge hit for Taco, eventually peaking at #4. This made Irving Berlin, then 95, the oldest ever living songwriter to have one of his compositions enter the top ten.
This song was so overplayed that I would cringe every time I’d hear The Eurythmics. Luckily, enough time has been removed that I really love their music. I have no problem skipping over this one though. But, I love anything else they do.
Speaking of overplayed songs, this was the king of them. I clearly remembering listening to the year end countdown in December, and being so disappointed that this was the #1 song of the year. I love just about everything else from the Synchronicity album. But I guess I’m a weirdo. At least it’s better than a stalker.
That wraps up this week’s countdown. I hope you enjoyed this. There will definitely be more countdowns coming up. In the meantime, Keep your feet on the ground, and keep reaching for the stars.
Welcome back as we continue the countdown. If you missed the previous songs, you can go back and check out songs 40-31 and 30-21. In my opinion, this week’s songs just keep getting better and better. Sometimes, there is a little lull, where there are songs that are just meh. But every day has been solid so far, and it will continue. So, lets Return to the week ending November 10, 1984, and continue the countdown.
This song does not get as much attention in the U.S. as much as a lot of Culture Clubs hits. I like this. I don’t know if it’s because of the quality of the song, or because it does not get played to death on radio. This was the lead single from the band’s third album Waking Up with the House on Fire, and peak at #17 in the U.S. It cracked the top 10 in several other countries.
I have no idea how this song got by me. I love it! And I love all three singers. What a great combination. Then add in the fact that this song was written by David Foster and Richard Marx, and this is pure gold.
This was the beginning of Madonna becoming an ’80s icon. She would be cemented in with that status with her next album, Like a Virgin. But, the songs from her self-titled debut album, including this song, laid the groundwork. This was Madonna’s fourth single released from that album, and her first Top 5 hit, peaking at #4.
“Some Guys Have All the Luck” was written by Jeff Fortgang, and originally performed by The Persuaders in 1973, and became a Top 40 hit. Rod Stewart’s version here was more successful, peaking at #10.
Jeff Fortgang was only in the music industry for three years. He went on to become a doctor in Psychology, and still practices in the Boston area today.
I always get excited when I get to play some Pointer Sisters! This song was originally released in 1982, from their album So Excited! and was a Top 40 hit, peaking at #30. It was re-released, after being slightly remixed, on their 1984 album, Break Out, and hit the charts once again, peaking at #9 this time.
Rhode Island in the house!! John Cafferty and the Beaver Brown Band (who are from my home state of Rhode Island) performed this song for the Eddie and the Cruisers soundtrack. This is a fun Springsteenesque rocker. They have a lot of other great songs, but this is their signature song.
This was the fifth and final single released from Lionel Richie’s classic, Grammy winning, Can’t Slow Down album. As with all the other singles taken from Can’t Slow Down (“All Night Long (All Night)”, “Running with the Night”, “Hello” and “Stuck on You”), “Penny Lover” was a top ten hit on the Billboard Hot 100 chart, spending two weeks at #8 in December 1984.
I’m starting to see a pattern this week. This is yet another favorite song of mine by an artist. This was Cyndi’s fourth Top 5 hit in the U.S. It was off her classic She’s So Unusual album. It was originally written and performed by Jules Shear in 1983. In an article in the Chicago Tribune, Jules Shear said, “[it’s] like a big bonus really. Cyndi Lauper does a song (‘All Through the Night’) that’s on a solo record of mine. I just thought, ‘No one’s really going to hear this.’ Then she does it, and it becomes a Top 5 song.”
Welcome back as we continue the countdown! If you missed the previous articles, you can check out songs 40-31, 30-21, and 20-11. Well, this has been an incredible week of music – especially the previous 10 songs. And now we have reached the top 10, which has some more classic music I think you’ll enjoy. So, let’s Return to the week ending May 28, 1983, and find out what were the biggest hits that week.
Next up is another song from a debut album of an ’80s powerhouse. This song was the second single released from Culture Club’s Kissing to Be Clever album (after “Do You Really Want to Hurt Me“). This song is one of my favorite Culture Club songs.
Easily my favorite Branigan tune! I love all her music, but this is #1 for me. What an incredible talent she was. I was so upset when she died on August 26, 2004. This song was the lead single from the Branigan 2 album. This debuted on the charts the same week her breakthrough hit, “Gloria“, dropped off the charts.
I think everybody here may have possibly heard of this song, maybe. We all know that Eddie Van Halen famously plays the guitar solo here. But, you may not know this fun fact: there were a few members of Toto who played on this song – Steve Lukather (guitar, bass guitar), Steve Porcaro (synthesizer), and Jeff Porcaro (drums).
Now it’s the part of the countdown where we see what was topping the other charts this week:
This song was my introduction to David Bowie. Bowie has always reinvented himself. This was during his pop period. I liked this song a lot, and there are so many great songs on the Let’s Dance album, that I like even more.
We have now arrived at the #1 song this week. And what a way to end! My big ’80s crush – Irene Cara. This is her signature song, but she has so many other great ones that get overlooked. I love her voice and music. Even though this song gets all the airplay, I still love it.
Well that wraps up this week’s countdown. I hope you enjoyed it as much as I have. I’m going to try to keep this going next week by Returning to the year that The Empire Strikes Back came out. Then the following week – the week the new Star Wars movie is coming out – we are going to Return to (yes we’re going there) 1977! So, that’s something to look forward to. In the meantime, Keep your feet on the ground, and keep reaching for the stars.
Welcome back as we wrap up this week’s Top 40 Countdown. There have been some flat-out classics so far this week, and today is no different. You can go back and check out songs 40-3130-21, and 20-11. Well, I think this has been one of the better Top 40 weeks, so let’s Return to the week ending June 18, 1983, and finish the countdown.
Well, here’s a blast from the past. Hall & Oates were a staple of the ’80s music scene. But, this song is often overlooked. This song is actually a cover, originally done by Mike Oldfield (with Maggie Reilly on vocals) in 1982. Hall & Oates made it their own, and made it a big hit, topping out at #6 on the charts.
Just like Hall & Oates, Rick Springfield had a great hot streak in the early-to-mid ’80s. This song, Springfield’s first single from his Living in Oz album, would be his fourth top 10 hit, peaking right here at #9. It was nominated for Grammy Award for Best Male Rock Vocal Performance in 1984, but lost to Michael Jackson’s “Beat It”.
This synthpop song just screams ’80s! But, did you know that this was a cover? It was originally written by Burt Bacharach and Hal David in the ’60s. The original recorded version was released by Lou Johnson in 1964. Sandie Shaw also released a version of this song that same year, and it was a #1 hit in the U.K., Canada, and South Africa.
The 1964 versions and this ’80s version were each a product of their time. I like all the versions, but of course, I prefer Naked Eyes.
This is a nice ballad by one of my favorite bands – Styx. This song is from their divisive album, Kilroy Was Here. This was the beginning of the end of the original run of Styx, but you wouldn’t know it here.
Lionel Richie immediately proved that he could have a successful career post-Commodores, with his incredible self-titled debut album. This ballad was the third single released from that album, and was his third top 10 hit in a row. Kenny Rogers, who often collaborated with Richie, provided the backing vocals on this song.
Men At Work is just pure ’80s. They were on a hot streak at this time. The combination of Colin Hay’s voice and Greg Ham on sax, gave Men At Work a very unique sound. Everyone knows “Down Under“, but this is one of their better songs as well.
Speaking of unique sounding, this song was a worldwide smash hit. The song’s title refers to Electric Avenue, a market street in the Brixton area of London. You could not escape this song when it was first released, but man was it fun!
All week we have been hearing from artists who had been around for a while, but were introduced to me with the ’80s tunes in the countdown this week. This is another one. I remember first hearing this song on the radio while eating breakfast before school. This song was from the album of the same name, and was part of many of David Bowie’s reinventions. This is a great song from a great album.
Culture Club followed their world-wide smash hit debut, “Do You Really Want to Hurt Me”, with this song. I like this one better. Culture Club was one of those bands that I didn’t care much for back then, but enjoy much more now.
Before we uncover this week’s #1 song, lets see what was topping some of the other charts this week:
What a Feeling! and what a way to end the countdown! A few years earlier, Irene Cara hit it big with the theme song for Fame. Somehow, she outdid herself with this classic from the movie, Flashdance. This song won all kinds of awards, including the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Female Pop Vocal Performance. This is a well deserved #1 hit.
Well, that wraps up this week’s countdown. I hope you enjoyed it as much as I have. This has got to be one of the best countdowns we’ve covered so far. 1983 was such an incredible and pivotal year of music. Do you agree? We’ll be back with another countdown in the coming weeks. In the meantime, Keep your feet on the ground, and keep reaching for the stars.