Welcome back to this week’s countdown! I hope you are all enjoying it so far. Here are some famous quotes from 1988. Can you guess who made them:
“Senator, you are no Jack Kennedy”
“Read my lips: no new taxes”
“Just do it”
“It’s everywhere you want to be”
“I’m not bad- I’m just drawn that way”
Now let’s Return to the week ending November 5, 1988 and continue the countdown. Don’t forget, you can click on the song title to get the YouTube video, and you can click on the album cover to get the song from Amazon. Now, on with the countdown!
Chicago is one of my all-time favorite bands, and I could not get enough of this song. This power ballad, written by Diane Warren, is Chicago’s largest selling single. It topped the charts for two weeks, matching the chart success of the group’s “If You Leave Me Now” (1976) and “Hard to Say I’m Sorry” (1982).
This mashup of Peter Frampton’s “Baby I Love Your Way” and Lynyrd Skynyrd’s “Freebird” will soon top the charts (December 3, 1988). Kudos for taking two overplayed classic rock songs, and making them fresh again. Only to become overplayed itself. I’m liking it again, 30 years later.
We are back to continue the countdown! So far, this has been pretty cool. On today’s list, there are some very familiar songs to everybody. And there are some that we may have never heard before. And there are two songs with very familiar titles, but totally different from what we would expect. As usual, you can click on the song title to listen to the song on YouTube, and you can click on the album cover to get the song from Amazon. Now, let’s Return to the week ending July 12, 1987 in the U.K., and continue the countdown!
Not to be confused with the hit song by the Thompson Twins, this ballad by the Irish singer, Johnny Logan, was the winner of the 1987 Eurovision Song Contest. Never released in the U.S., this song was a top 5 song in most of the European countries, with the exception of Switzerland, where it peaked at #6.
Broken English was a British band formed in 1987 by Steve Elson (singer and guitarist), who at the time performed in a Rolling Stones tribute band. You can totally get that vibe from this song. It sounds like it could be a Rolling Stones song.
This was the 3rd single released from Billy Idol’s Whiplash Smile album. This song also appeared in a Miami Vice episode, which automatically gives it a Cool factor, as if Billy Idol isn’t enough for that.
Mel and Kim were sisters Melanie and Kim Appleby. Sadly, Melanie died of cancer in 1990 at the age of 23. She bears a striking resemblance to Maya Rudolph. This was the third single released from their debut album, F.L.M.
This is a pretty cool tribute to the R&B legend, Smokey Robinson. Robinson was still going strong at the time. In October of 1987, in the U.S. on the Billboard Hot 100, Robinson’s hit, “One Heartbeat”, was in the top 10 along with this tribute song to him.
Back to a song familiar to the U.S. audience. This was the second single released from Whitesnake’s classic 1987 self-titled album. What an awesome rock ballad! It would reach #9 in the U.K., and #2 in the U.S.
That wraps up today’s list of songs. Come back tomorrow as we see what the biggest hits were in the U.K. this week in 1987!
Hey Everybody! Welcome back to this week’s Top 40 Countdown! If you missed the previous songs, you can go back and check out songs 40-31, 30-21 and 20-11. When I began this week, I had no idea that this would be one of the best, if not THE best countdown I’ve covered so far. Let’s see if this streak continues today. Let’s Return to the week ending January 19, 1985, and wrap up the countdown.
Welcome back everybody! If you missed the previous songs, you can check out songs 40-31, 30-21 and 20-11. Today we wrap up this week’s countdown. What a great week of music! Let’s get right to it, Return to the week ending August 8, 1987, and conclude the countdown.
I feel like this took over “Barracuda” as Heart’s signature song. As often as it get’s played, I still love it. Ann Wilson has one of the greatest voices in rock history, and it really shows with this song.
The Jets had a huge run from the mid to late ’80s. This is a fun song, featured on the Beverly Hills Cop II soundtrack. The original band consisted of eight brothers and sisters (out of 17!). The band name is named after the Elton John song, “Bennie and the Jets.”
O eh, o eh, o eh, oo aah O eh, o eh, o eh, oo aah
The rhythm got me! I’m still liking Gloria Estefan. I also love that she now does the theme song for the One Day at a Time reboot – a show that I can’t recommend enough. You should be interested in just the fact alone that the show has an actual theme song. If you miss the late ’70s/early ’80s sitcoms, check it out.
I love this song. The geek in me makes me kind of partial as this band is named after a vulcan from an episode of the original Star Trek series. This band is still around, and just released a new album in 2015, called Pleasure & Pain.
This is my favorite Bob Seger song! This Beverly Hills Cop II soundtrack was flat-out awesome! This is the second song, from the soundtrack, in this top 10. And we aren’t done yet! This is a great song for that movie, and goes hand-in-hand with “The Heat is On” from the original movie.
This is the third song from the Beverly Hills Cop II soundtrack. It was also off of George Michael’s legendary Faith album. This is another artist we lost too soon. I was really hoping for a comeback from him.
This was the second song released from U2’s successful album, The Joshua Tree. This song is a critical darling, for sure. A lot of people had fallen off the U2 bandwagon by this point, but I would stay on board a while longer.
Well, that wraps up this week’s countdown. I hope you enjoyed it. I’d love to hear what you think. I plan on doing more of these in the near future. Until next time, Keep your feet on the ground, and keep reaching for the stars.
2016 was a notoriously brutal year as we have lost several entertainment icons of the ’80s. Unfortunately, the year ended with a flurry. Alan Thicke suddenly passed away on December 13. We were planning on doing a segment on him for the next podcast. The day before our planned recording, we received the news that George Michael died. So, we decided to do an episode on both stars. Then the following day, Carrie Fisher died. Now, what we have here is a tribute to 3 awesome entertainers. I should also note that moments after we finished recording this, we received news that Debbie Reynolds, Carrie Fisher’s mother, had died. So, let’s Return to the ’80s and relive some happier times and memories. And please send us your thoughts about these stars in the comments below or you can email us at Returnto80s@gmail.com.
The day following George Michael’s death, this special tribute was made at a soccer match:
George Michael also had a great sense of humor. Here he is on the first ever, Carpool Karaoke with James Cordon:
Carrie Fisher (October 21, 1956 – December 27, 2016)
Of course we know Carrie Fisher as Princess Leia from the Star Wars movies. She also starred as Meg Ryan’s best friend in When Harry Met Sally and played Tom Hanks’ wife in The ‘Burbs.
She was also a successful writer, publishing Postcards from the Edge in 1987, and just recently published The Princess Diarist.
There are a couple of interviews with Carrie Fisher on Late Night with David Letterman. The first part is from May 30, 1983, promoting Return of the Jedi. The second is from August 27, 1987, promoting her new book Postcards from the Edge.
Hi Everybody, After all the devastating news over the past week, Robert and I have been preparing a special podcast episode. The regular Remember That Song and Quote of the Day segments will be back in 2017. In the meantime, here are a few videos of a happier time. Enjoy.
Although he was mainly known as Jason Seaver in Growing Pains, Alan Thicke also starred in this show, Animal Crack-Ups, which aired while he was still on Growing Pains. Not only did Thicke host this show, he wrote and sang the theme song. Here is the opening segment of an episode:
I’m sure all of you have been listening to a lot of Wham! and George Michael songs lately. Here is something a little different. James Corden’s Carpool Karaoke is enormously popular these days. As it so happens, George Michael appeared in the very first Carpool Karaoke. This is from Comic Relief in the U.K. in 2011. At the time, James Corden was best known as Smithy from Gavin and Stacey.
This scene begins with “Smithy” receiving a call from Lenny Henry at Comic Relief who asks him to head to BBC Television Centre to help record a charity single. For U.S. readers who may not know, Lenny Henry is a legendary comic in the U.K. Of course Corden is hilarious. But, this clip really shows George Michael’s sense of humor. ’80s fans may possibly recognize the songs that get played here…
Last but not least, here are a couple of appearances by Carrie Fisher on Late Night. These interviews are from:
May 30, 1983: promoting “Return of the Jedi”
August 27, 1987: promoting her new book “Postcards from the Edge”
Her interviews are always funny and honest (to say the least).
Hi Everybody! This week Robert is taking a break from Deep Tracks. Instead, he is delving into an awesome topic – 80’s songs that feature a saxophone. Along with the synthesizer, I feel that the sax gives songs that classic ’80s signature sound. Perhaps it’s no coincidence that just about the only new song I’ve liked in recent years is “The Edge of Glory” by Lady Gaga. The late, great Big Man, Clarence Clemons (of E-Street Band fame) has a sax solo in that song.
This will be a two-part series, with 5 songs each day. Take it away, Robert
It has been a tough few weeks for fans of ‘70s and ‘80s pop culture. The recent deaths of David Bowie, Alan Rickman, and Glenn Frey have taken many of us by surprise. We have all read about the lives and careers of these great artists, so I am not going to rehash all of that information. As I have been thinking about these three, I keep coming back to Glenn Frey, both his solo work and the music he created with the Eagles. For years I have enjoyed the great songs that he created on his own or with the legendary band. I vividly remember buying the Eagles single “New Kid in Town” and listening to it over and over again, each time feeling sadder and sadder for the new kid. As I moved into high school and college I gained a huge love and respect for all of the Eagles’ music. Frey’s solo work was also outstanding. Songs like “The Heat is On” and “Smuggler’s Blues” were on dozens of mixtapes that I made- forcing my friends to listen to these great songs.
Over the past week I have listened to many of Frey’s songs and have rediscovered two of my favorites, “The One You Love” and “You Belong to the City.” I also remembered that one of the reasons I love these songs is the use of the saxophone. Naturally, this lead me to thinking about other ‘80s songs that have the prominent use of a saxophone. It took some deep trips into my memory and a little research, but I have come up with my ten favorite ‘80s hits that feature the smooth sounds of the sax; I am defining “feature” as having, at minimum, a sax solo. This is by no means meant to be a comprehensive list, just my favorites and a nod to Glenn Frey whose music got me thinking about it. So here they are – in no particular order, my favorite ten ‘80s song with a clear saxophone element being used.
“The One You Love” by Glenn Frey
I begin this list with the song and artist that is the inspiration for this list. This is my favorite solo hit by Frey and comes from his debut solo album No Fun Allowed in 1982. The song reached #15 on the AT 40 and, while that is a respectable chart position, it does not really capture the full quality of this song. The saxophones are played by two musicians; the repeating theme in the song is played by Ernie Watts and the solo sax at the end of the song is played by Jim Horn (no, this is not a pun). This is a slow paced, somber tune that depicts a moral dilemma. The woman in the song is trapped between two men and must make a choice that is going to have a profound effect on both men, “Someone’s going to cry when they’ve learned they lost you / Someone’s going to thank the stars above.” Each man speaks to a different side of the woman which makes her decision extremely difficult. One of the men has hurt her before and the one she is with now treats her well, but she is not crazy in love with him. The chorus ask the question that is perfectly captures her choice: “Are you going back to the one who loves you / Or are you going to stay with the one you love?” There is no easy answer to this difficult situation, but we do know that this song gets Frey’s solo career off to an excellent start.
“Fortress Around Your Heart” by Sting
I will confess to being a huge fan of the Police and Sting due to the songwriting. My English teacher self loves Sting’s lyrics full of symbolism, imagery, and metaphors – call me a literary geek if you want, I will fully acknowledge and accept the label. On Sting’s first two solo albums, Dream of the Blue Turtles and Nothing Like the Sun, he seems to be trying to stylistically separate himself from the Police. He has abandoned the reggae influences for a more jazz based sound, hence the prominence of the horns. The saxophone on this track is played by the incomparable Branford Marsalis. The sax is spread throughout the song and blends nicely with Sting’s bass and guitar work. This will always be my favorite Sting song because of the lyrics. He takes an unusual twist and uses war imagery to capture a man who is regretting the way he has handled the relationship with his love. He wants to protect her, but he may have taken this to an extreme and now feel remorseful, “I recognize the walls that I once made / Had to stop in my tracks for fear of walking on the mines I’ve laid.” I believe his intentions were good, he just let things get out of hand. The chorus captures both this and his regret in doing so: “And if I built this fortress around your heart / Encircled you in trenches and barbed wire / Let me build a bridge, for I cannot fill the chasm / Let me set the battlements on fire.” I have always been a huge fan of Sting’s songwriting and this song is a prime example of this. I am looking forward to seeing him at the NBA All-Star game in a few weeks.
“Careless Whisper” by Wham! featuring George Michael
I have absolutely no problem in declaring my love for Wham!’s album Make It Big. It was one of my favorites in high school and my best friends and I nearly wore the grooves off of the record. This particular song ended up as the #1 song of 1985 (“Wake Me Up Before You Go Go” was #3) and I have always been fascinated with the raw emotions of the lyrics. The gorgeous saxophone is played by Steve Gregory and truly carries this somber song. When people think of this song Gregory’s excellent sounding horn comes to mind immediately. While this song is from the Make It Big album, it is a solo effort by George Michael and it clearly played an instrumental role in him embarking on a solo career soon after it’s success. The song is one of regret. The speaker has made an enormous mistake and lost his love, “Should have known better than to cheat a friend / And waste the chance that I have been given.” Now he is realizing that he has lost a very special relationship and realizing he can never get it back, “I’m never going to dance again / These guilty feeling got no rhythm . . . So I’m never going to dance again the way I danced with you.” The chorus is agonizing and full of guilt and hopelessness – he know he has lost her forever because of something he did. I am always caught by the bridge in this song, “Maybe it’s better this way / We’ve hurt each other with the things we want to say / We could have been so good together / We could have lived this dance forever / Now who’s going to dance with me.” As an adult who married his high school sweetheart, this song has always stayed with me and serves as reminder of being true to the one who is most important in my life.
“True” by Spandau Ballet
This 1983 hit may now be best remembered for making an appearance in Sixteen Candles – remember the dance scene?
This is Spandau Ballet’s only significant hit in the U.S., putting this song on the category of one hit wonder. If you only get one hit, it might as well be a memorable one like “True” that still makes us stop, listen, and reflect on our high school days. This slow jam of a song is a perfect fit for and a staple of high school dances in the ‘80s. I have fond memories of standing up against the wall, too embarrassed to dance to the fast songs and way too scared to ask anyone to dance to this one. Most memorable are the smooth vocals by Tony Hadley, the simple and repeating guitar plucks and the sax by Steve Norman. There is not much about the lyrics that has not been said, so I offer you a challenge: play this song sometime soon and try not to sway back and forth and hit those “dunt dunt (pause) dunt dunt” sounds. You can’t resist – and neither can I.
“Urgent” by Foreigner
I love Foreigner and the album 4 that this song comes from is one of the major reasons why. There are truly no bad songs anywhere on this album. This album, released in 1981, had five AT 40 hits with “Urgent” hitting #4. This is a great rock song with great guitar work by Mick Jones and Lou Gramm’s signature vocal style. The unforgettable sax solo is played by Junior Walker while the rest of the sax is played by Mark Rivera (although the video does not suggest this). The song as about a woman who just seems to have a burning need to be with the speaker. This is never meant to be a long term relationship, rather a quick-hit whenever needed. I have always enjoyed the pace of this song, lyrics included. I love the way they phrase lines like, “You play trick on my mind / You’re everywhere but you’re so hard to find / You’re not warm, you’re sentimental / You’re so extreme, you can be so temperamental.” This is a fantastic song that played a large role in getting me into music. Years later (1986) when I started dating my future wife, I quickly discovered that we do not have the same passion for or taste in music – except for this album. “Urgent” and 4 was one of the first albums we listened to together and, when it comes on now, we both really get into it.