Welcome back as we wrap up this week’s Top 40 Countdown. There have been some flat-out classics so far this week, and today is no different. You can go back and check out songs 40-31 30-21, and 20-11. Well, I think this has been one of the better Top 40 weeks, so let’s Return to the week ending June 18, 1983, and finish the countdown.
Well, here’s a blast from the past. Hall & Oates were a staple of the ’80s music scene. But, this song is often overlooked. This song is actually a cover, originally done by Mike Oldfield (with Maggie Reilly on vocals) in 1982. Hall & Oates made it their own, and made it a big hit, topping out at #6 on the charts.
Just like Hall & Oates, Rick Springfield had a great hot streak in the early-to-mid ’80s. This song, Springfield’s first single from his Living in Oz album, would be his fourth top 10 hit, peaking right here at #9. It was nominated for Grammy Award for Best Male Rock Vocal Performance in 1984, but lost to Michael Jackson’s “Beat It”.
This synthpop song just screams ’80s! But, did you know that this was a cover? It was originally written by Burt Bacharach and Hal David in the ’60s. The original recorded version was released by Lou Johnson in 1964. Sandie Shaw also released a version of this song that same year, and it was a #1 hit in the U.K., Canada, and South Africa.
The 1964 versions and this ’80s version were each a product of their time. I like all the versions, but of course, I prefer Naked Eyes.
This is a nice ballad by one of my favorite bands – Styx. This song is from their divisive album, Kilroy Was Here. This was the beginning of the end of the original run of Styx, but you wouldn’t know it here.
Lionel Richie immediately proved that he could have a successful career post-Commodores, with his incredible self-titled debut album. This ballad was the third single released from that album, and was his third top 10 hit in a row. Kenny Rogers, who often collaborated with Richie, provided the backing vocals on this song.
Men At Work is just pure ’80s. They were on a hot streak at this time. The combination of Colin Hay’s voice and Greg Ham on sax, gave Men At Work a very unique sound. Everyone knows “Down Under“, but this is one of their better songs as well.
Speaking of unique sounding, this song was a worldwide smash hit. The song’s title refers to Electric Avenue, a market street in the Brixton area of London. You could not escape this song when it was first released, but man was it fun!
All week we have been hearing from artists who had been around for a while, but were introduced to me with the ’80s tunes in the countdown this week. This is another one. I remember first hearing this song on the radio while eating breakfast before school. This song was from the album of the same name, and was part of many of David Bowie’s reinventions. This is a great song from a great album.
Culture Club followed their world-wide smash hit debut, “Do You Really Want to Hurt Me”, with this song. I like this one better. Culture Club was one of those bands that I didn’t care much for back then, but enjoy much more now.
Before we uncover this week’s #1 song, lets see what was topping some of the other charts this week:
The number one country song this week was – “You Can’t Run From Love” by the gone too soon Eddie Rabbitt
Topping the R&B charts was “Juicy Fruit” by Mtume. I never heard of the song or the band.
Sitting on top of the rock charts was this week’s #14 song, “Every Breath You Take” by The Police
The number one adult contemporary song was our #13 song this week – “Never Gonna Let You Go” by Sergio Mendes
For the 17th, and final consecutive week, the #1 album was the legendary Thriller by Micahel Jackson
The #1 dance song brings us to our Hot 100 number one song this week:
What a Feeling! and what a way to end the countdown! A few years earlier, Irene Cara hit it big with the theme song for Fame. Somehow, she outdid herself with this classic from the movie, Flashdance. This song won all kinds of awards, including the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Female Pop Vocal Performance. This is a well deserved #1 hit.
Well, that wraps up this week’s countdown. I hope you enjoyed it as much as I have. This has got to be one of the best countdowns we’ve covered so far. 1983 was such an incredible and pivotal year of music. Do you agree? We’ll be back with another countdown in the coming weeks. In the meantime, Keep your feet on the ground, and keep reaching for the stars.