The countdown continues! If you missed the previous songs, you can go back and check out songs 40-31 and 30-21. Today, there are plenty more songs that I’m not familiar with, and a couple of songs I know, which both happen to be duets. As usual, you can click on the song title to see the YouTube video, and you can click on the album cover if you would like to get the song from Amazon. Now, let’s Return to the weeke of March 6, 1983, and continue this week’s U.K. countdown!
This song peaked right here at #20, ending the band’s run of four consecutive Top 10 hits in the UK. If the synthesized talking sounds familiar to you, it is taken from a Speak & Spell. Even though this is totally different from “If You Leave”, I like this.
This song, from the film An Officer and a Gentleman, was a world wide smash hit. With this song, Cocker and Warnes were awarded the Grammy for Best Pop Performance by a Duo or Group with Vocals. This song won also both the Academy Award and Golden Globe Award for Best Original Song.
This was the band’s fourth single. It would eventually become the second hit from their debut LP The Hurting and second UK Top 5 chart hit. This is one of those songs that I didn’t think I knew, but remembered it when I just played it now.
Cool song by two old school legends.The late Phil Everly was one of The Everly Brothers, and Cliff Richard was having a great career until The Beatles exploded on the scene. But he had a strong comeback later on. Cliff Richard is the third-top-selling artist in UK Singles Chart history, behind the Beatles and Elvis Presley.
I totally forgot about this one! I guess that can happen when the only song radio stations have been playing for the past 35 years is “True”. This was a top 20 hit in the U.S. as well. and it is way better than “True”!
Here’s one we all know! Upon it’s initial release, this song topped out at #73 on the U.S. charts. Then the song became the love theme for the character Luke Spencer on the popular daytime soap General Hospital. The song then became a #1 hit in the U.S., as well as a worldwide hit. It peaked right here at #11 in the U.K.
That wraps up today’s list of songs. I loved today’s countdown! What will tomorrow bring? Come back tomorrow, and find out what the biggest hits in the U.K. were this week in 1983. I guarantee you will know at least 1 song that will be in the top 10. Just look at the time period, and you know what album had been out.
Welcome back to this week’s countdown! If you missed the previous songs, you can go back and check out 40-31, 30-21, and 20-11. This has been a great week of music so far, and it continues today. It was so good, that we will be coming back with another countdown next week, with a twist! We will Return to the top 40 countdown for the week of March 6-12, from the UK! I know there is a huge following here of folks from the U.K. So they will get to relive their past, and 80s fans from the U.S. may discover music that did not make it over here for one reason or another. But first thing’s first. Let’s Return to the week ending February 28, 1987, and check out the top 10 songs of this week.
Peter Gabriel had some groundbreaking videos in the late ’80s. Which means that they were on MTV every other song. Which also means that I couldn’t stand it! I was dreading listening to this again, but now I’m liking it a little more.
Between this, and Janet Jackson’s “Let’s Wait Awhile” earlier in the countdown, all we need to do is substitute Samantha Fox’s “Touch Me” with Jermaine Stewart’s “We Don’t Have to Take Our Clothes Off”, and we would have a perfect countdown for a Catholic school dance.
Bon Jovi had a huge hit with “You Give Love a Bad Name”. But, this ’80s anthem is the one that changed them forever. When you say the words “’80s music” to somebody, this is one of a handful of songs that would immediately come to mind. This is totally deserving of the #1 spot, and a great way to end the countdown.
That’s it for this week. I hope you enjoyed this countdown. Please let me know your thoughts. And as I mentioned earlier, we will be coming right back next week with the UK Top 40 from 1983. Until then, Keep your feet on the ground, and keep reaching for the stars.
Welcome back as we wrap up this week’s countdown. If you missed the previous songs, you can go back and check out songs 40-31, 30-21, and 20-11. If you are in the U.S., I hope this countdown has provided a little escape from the election day craziness. This has been a great week of music. For those of us who grew up around the time of this countdown, we were so lucky to enjoy some great music. Now let’s Return to the week ending November 10, 1984, and wrap up this countdown.
Earlier in the countdown, we had a song by Tommy Shaw in the wake of the band Styx falling apart. Now we have the former Styx frontman, Dennis DeYoung with his solo effort. This is an outstanding song, that would peak right here at #10.
Thanks to producer, David Foster, we were right in the middle of Chicago’s renaissance. I do get slightly annoyed that most people only know of Chicago from their power ballads, even though they have some incredible rock songs. But, with a song like this, I can totally see why. This is one of my favorites by them. I love that both Peter Cetera and Bill Champlin sing on this. I love both of their voices. Great combination!
David Bowie (still can’t believe he is gone) was still making an impact on the music world at this point. This song was off of his Tonight album, which was his follow-up to the mega-successful Let’s Dance album. This song was launched with a 21-minute short film, Jazzin’ for Blue Jean. The film won the 1985 Grammy Award for “Best Video, Short form” (Later renamed “Best Music Video”), which would be Bowie’s only competitive Grammy Award during his career. He was nominated for several, but this was his only win, in addition to his Lifetime Achievement Award in 2006.
This song is from Tina Turner’s huge comeback album, Private Dancer. This song was originally recorded and released in 1981 by Spider, a band from New York City with one of the co-writers, Holly Knight, as a member. Of course Tina had the most successful version. The song won Tina Best Rock Vocal Performance, Female, one of four Grammys awarded to Turner in that ceremony.
There weren’t too many acts as big in the ’80s as Hall & Oates.This was their lead single from their 1984 album Big Bam Boom. It would be their last #1 hit. The song was also their 14th straight top 40 hit since 1980.
Before we continue, let’s see what was topping some of the other charts this week in 1984:
While Prince was a megastar performer himself, he also wrote music covered by other artists. This was one of them. Prince wrote this song, and it was on his debut album. It was also covered by The Pointer Sisters on their 1982 album, So Excited!.
Then Chaka Kahn took over, and this song would start a big comeback for her. Melle Mel (from Grandmaster Flash and the Furious Five) did the rapping. And Stevie Wonder is on the harmonica.
This was Wham!’s big breakthrough hit. It became their first American and UK number-one hit. To be honest, I really hated this song when it first came out. I like it now because of its nostalgic value. It should also be noted that while it was at the top of the charts for two weeks, it prevented the next song from becoming a #1 hit…
Yes, perhaps Prince’s signature song, this never hit #1 (still can’t believe he is gone). That doesn’t change anything though. This is an iconic song of the decade. For a lot of people, when you mention the ’80s, one of the first images that come to mind is the cover of the Purple Rain soundtrack and movie poster. And if you listened to our Prince episode of the Return to the ’80s podcast, you would know that there is a Journey connection here. After recording the song, Prince phoned Jonathan Cain from Journey asking him to hear it, worried it might be too similar to “Faithfully“, a Journey single composed by Cain which had recently been in the charts. Cain reassured Prince telling him the songs only shared the same four chords. Prince was extremely sensitive to Copyright infringement. It’s good to see he put his money where his mouth was, and was careful himself.
This was one of Stevie Wonder’s most commercially successful hits. It was featured in the Gene Wilder (still can’t believe he’s gone) movie The Woman in Red. The ballad won both a Golden Globe and an Academy Award for Best Original Song. It was also nominated for Best Male Pop Vocal Performance, Song of the Year and Best Pop Instrumental Performance at the Grammy Awards.
I always loved Billy Ocean’s voice. This is a good one. It won Ocean the 1985 Grammy Award for Best Male R&B Vocal Performance, making him the first British artist to win in that category.
Well that wraps up this week’s Countdown. I hope you enjoyed it as much as I have. Did you have any favorites or least favorites? Let’s do another one of these in the coming weeks. In the meantime, Keep your feet on the ground, and keep reaching for the stars.
Welcome back as we continue the countdown. If you missed the previous songs, you can go back and check out songs 40-31 and 30-21. In my opinion, this week’s songs just keep getting better and better. Sometimes, there is a little lull, where there are songs that are just meh. But every day has been solid so far, and it will continue. So, lets Return to the week ending November 10, 1984, and continue the countdown.
This song does not get as much attention in the U.S. as much as a lot of Culture Clubs hits. I like this. I don’t know if it’s because of the quality of the song, or because it does not get played to death on radio. This was the lead single from the band’s third album Waking Up with the House on Fire, and peak at #17 in the U.S. It cracked the top 10 in several other countries.
I have no idea how this song got by me. I love it! And I love all three singers. What a great combination. Then add in the fact that this song was written by David Foster and Richard Marx, and this is pure gold.
This was the beginning of Madonna becoming an ’80s icon. She would be cemented in with that status with her next album, Like a Virgin. But, the songs from her self-titled debut album, including this song, laid the groundwork. This was Madonna’s fourth single released from that album, and her first Top 5 hit, peaking at #4.
“Some Guys Have All the Luck” was written by Jeff Fortgang, and originally performed by The Persuaders in 1973, and became a Top 40 hit. Rod Stewart’s version here was more successful, peaking at #10.
Jeff Fortgang was only in the music industry for three years. He went on to become a doctor in Psychology, and still practices in the Boston area today.
I always get excited when I get to play some Pointer Sisters! This song was originally released in 1982, from their album So Excited! and was a Top 40 hit, peaking at #30. It was re-released, after being slightly remixed, on their 1984 album, Break Out, and hit the charts once again, peaking at #9 this time.
Rhode Island in the house!! John Cafferty and the Beaver Brown Band (who are from my home state of Rhode Island) performed this song for the Eddie and the Cruisers soundtrack. This is a fun Springsteenesque rocker. They have a lot of other great songs, but this is their signature song.
This was the fifth and final single released from Lionel Richie’s classic, Grammy winning, Can’t Slow Down album. As with all the other singles taken from Can’t Slow Down (“All Night Long (All Night)”, “Running with the Night”, “Hello” and “Stuck on You”), “Penny Lover” was a top ten hit on the Billboard Hot 100 chart, spending two weeks at #8 in December 1984.
I’m starting to see a pattern this week. This is yet another favorite song of mine by an artist. This was Cyndi’s fourth Top 5 hit in the U.S. It was off her classic She’s So Unusual album. It was originally written and performed by Jules Shear in 1983. In an article in the Chicago Tribune, Jules Shear said, “[it’s] like a big bonus really. Cyndi Lauper does a song (‘All Through the Night’) that’s on a solo record of mine. I just thought, ‘No one’s really going to hear this.’ Then she does it, and it becomes a Top 5 song.”
Welcome back to this week’s Top 40 countdown. If you missed the previous songs, you can go back and check out songs 40-31. One thing I love about the countdowns in the early ’80s is the wide variety of music. There was still variety later on in the decade too, but nothing like this. Today, we have some rock, country, pop, R&B, and even an instrumental thrown in here. So, let’s Return to the week ending October 17, 1981, and move on with the countdown…
At this point, I had still not heard of The Moody Blues. My introduction to them would not come until 1986 with “Your Wildest Dreams“. This song started off promising. But when Styx didn’t chime in with Domo arigato, Mr. Roboto, I was disappointed. This isn’t a bad song. I can see how it got by me, though. I appreciate it more now then I would have back then.
Marty Balin was a founding member of Jefferson Airplane/Jefferson Starship. He left the band in 1978. Since the only songs I know by that band from that era are the ones Grace Slick sung, I was not familiar with Marty Balin. This is another middle-of-the-road song for me. Not horrible, but not that good. But, now we will be leaving my uncharted territory, and start getting to more familiar songs.
I know a lot of people love Sting’s solo career. But, I really love these days when he was teamed up with Andy Summers and Stewart Copeland. This is a classic Police tune from their album Ghost in the Machine.
This was The Commodores’ last hit single with Lionel Richie in the band. This is another favorite of mine. It is just as good, if not better, than some of Richie’s other ballads. This song was also featured in the 1982 movie The Last American Virgin.
This country-crossover hit was written by written by Hank DeVito, the pedal steel guitarist in Emmylou Harris’ backing group The Hot Band. Juice Newton made this a smash hit, reaching up to #2 for two weeks, being kept out of the top spot by “Endless Love” by Diana Ross and Lionel Richie.Juice Newton earned a 1982 Grammy nomination for Best Female Vocalist in the C&W category.
This is another smash hit which peaked at #2 on the charts. This power ballad from Foreigner’s classic 4 album, was in the number 2 position in the week of November 28, where it was held off the number 1 spot by Olivia Newton-John’s “Physical” for nine consecutive weeks, and then by Hall & Oates’ “I Can’t Go for That (No Can Do)” for a tenth week on January 30, 1982.
Time to get funky! This classic R&B hit earned Carl Carlton a Grammy Award nomination for Best R&B Vocal Performance, Male. If you are friends with a Bruno Mars fan, point them to this song to see what it’s all about.
To prevent confusion, this song was originally released as “Here I Am (Just When I Thought I Was Over You)” so as not to be confused with the group’s No. 1 hit song “The One That You Love” which contains the lyrics: “Here I am, the one that you love.” It didn’t work with me because I still got confused.
When I was in junior high school, I was in a Catholic school. When we had dances, we had them in one of the classrooms, and moved the desks off to the sides of the room. One of the mothers would “dj” by playing tapes and albums on a stereo that somebody brought in. Whenever they wanted to play a slow song, it was always an Air Supply song. So these Air Supply songs bring me back to that time.
In addition to this smash hit that earned Mike Post a Grammy for Best Instrumental Composition, you may know this legendary music producer’s other work in television shows such as Law & Order, Law & Order SVU, The A-Team, NYPD Blue, Renegade, The Rockford Files, L.A. Law, Quantum Leap, and Magnum, P.I.
As we drive off in tears at the end of the countdown for the day, let’s listen to the awesome, but sad, ballad by Quincy Jones and James Ingram. This song was featured in The Last American Virgin as Diane Franklin broke Gary’s and our hearts.
That wraps up today’s list of songs. I hope you are enjoying this. Let me know what you think so far. We are already halfway done. Come back tomorrow to see what other awesome songs were topping the charts this week in 1981.