Today’s Song of the Day is in remembrance of Marvin Gaye, who was tragically killed by his father on this day in 1984. “Sexual Healing” was Marvin Gaye’s biggest hit of the ’80s.The song was off of his album Midnight Love. The song reached number one on Billboard’s Hot R&B Singles chart, staying at the top spot for ten weeks. It also peaked at #3 on the Hot 100.
This was the first single Gaye released after leaving Motown Records. He spent 20 tumultuous years with the label, which included disputes over royalties and his marriage to and divorce from Berry Gordy’s sister, Anna. He recorded this album for CBS Records.
This won the 1982 Grammy for Best R&B Vocal Performance, Male. The instrumental version also won for Best R&B Instrumental.
Whenever blue teardrops are fallin’
And my emotional stability is leaving me
There is something I can do
I can get on the telephone and call you up, baby
If you’d like to get the song from Amazon, you can click on the album cover below:
Welcome back to this week’s Top 40 Countdown!!! If you missed the previous songs, you can go ahead and check out songs 40-31 and 30-21. I hope you’re enjoying this trip down Memory Lane this week. We have a great mix of songs today, including a Long Distance Dedication. So, let’s Return to the week ending November 27, 1982, and move on with the coutndown!
In 1980, Billy Joel started to reinvent himself from Piano Man to Rock Star, with his Glass Houses album. The trend continues here with this song from his Nylon Curtain album. And we have all felt pressure, so we can relate to this song.
The Bee Gees did not record as much music in the ’80s as they did in the ’70s. However, they were still very active, writing songs for other artists, including this one. Dionne Warwick’s career did not end with Solid Gold. She hit the top 10 with this song.
I absolutely love this song! Stephen Stills sings lead on this one, and he co-wrote it with Rick Curtis and Michael Curtis. David Crosby did not rejoin the band until the Daylight Again album was under way, so his vocals were not featured on the album version of this song. Timothy B. Schmit of the Eagles and Art Garfunkel provide backing vocals. So you still have great music and harmonies.
An awesome, yet overlooked song by Survivor. Of course, it can be understandable since it was featured on the Eye of the Tiger album. Not too many songs could survive competing against that title track. This Dave Bickler era of Survivor provided a lot of great songs, including this one.
This is perhaps my favorite Pat Benatar song. Unfortunately, at one point I had a roommate who was a guitarist, and he pointed out how awful the guitar solo is in this song. Now, it sticks out like a sore thumb to me. But, I still love the song. Benatar is one of the greatest rock vocalists of all time.
In the early ’80s, country-crossover hits were quite the rage. Here is another one. The song became Sylvia’s signature song and got her nominated for a Grammy award in 1983 for Best Female Country Vocal Performance. It also helped her take home the Academy of Country Music (ACM) award for Top Female Vocalist of 1982. She never had another crossover hit after this, but she still had plenty of more hits on the Country charts.
Meh. I’m not a huge Supertramp fan. It doesn’t help that one time, somebody stole my Journey Evolution cd out of the case, and replaced it with Supertramp’s Greatest Hits. I may forgive, but I do not forget.
This song reached number one on Billboard’s Hot R&B Singles chart, where it stayed for a record ten weeks before being replaced by Michael Jackson and Paul McCartney’s duet, “The Girl Is Mine”. Personally, I think he should have held that Jackson/McCartney crapfest out of the #1 spot. This was also the first single since his exit from his long-term record label Motown earlier in the year,
Dear Casey,
I live and breathe the ’80s every day. But, sometimes even I need a jumpstart to kick my ’80s love into high gear. And I got that this past weekend when I saw my favorite group, Rubix Kube, in concert. Not only is the playlist awesome, and different, each time I see them, but they are extremely talented musicians. And if that is not enough, just being in the same venue with tons of people, who share the same love and passion for the most rad decade, is enough to totally rejuvenate you and get you on an ’80s high.
So Casey, Please play one of Rubix Kube’s signature songs, their cover of The Buggles’ “Video Killed the Radio Star” for all my awesome fellow ’80s fans.
Welcome back as we wrap up this week’s Top 40 Countdown! If you missed the previous songs, you can go back and check out songs 40-31, 30-21 and 20-11. This week has been a little different as we stretched all the way back to the ’70s. Now, let’s Return to the week ending May 28, 1977, and see what was at the top of the charts the weekend that Star Wars opened.
What an awesome way to start the Top 10! This was Foreigner’s debut single. It is a perfect Foreigner song, as it has a rockin’ guitar, soaring vocals, just about every instrument is on full display, and the harmonies are great.
This is a pretty good song that I had not heard before today. I like the piano and guitars in this song. This was Andrew Gold’s biggest U.S. hit, peaking at #7. Linda Ronstadt sings a blink-and-you-miss-it background vocal in the second verse.
Here is a Rocky theme we all know and love. It is a great song for a blockbuster film. After this weekend in 1977, this song was overshadowed by the soundtrack of a new little independent film called Star Wars.
This was a huge, worldwide hit by Marvin Gaye. This is a pretty cool funk/disco tune. Unfortunately, this is the song that brought us the (song thieves) Robin Thicke and Pharrell 2013 hit, “Blurred Lines“.
This is a really nice ballad by the British singer=songwriter Leo Sayer. It had also been a #1 hit on this chart. I have no idea why he is wearing a Buffalo Sabres jersey in the video, other than he must be performing in Buffalo.
Before we see our #1 song, let’s see what was topping some of the other charts this week in 1977:
What a way to close out the week! As much as I like a lot of Stevie’s songs in the ’80s, I prefer his ’70s work. This song is a tribute to Duke Ellington, who was an influence on Stevie Wonder, and had just died three years earlier. This song is instantly recognizable by it’s horn section that begins the track. Wonder also refers to other jazz legends Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald.
Well, that wraps up this week’s Top 40. I hope you enjoyed this. Let me know what you think. Even though this is an ’80s site, do you mind venturing over to a different decade, occasionally?
I don’t think I’m going to be able to see the new Star Wars movie this weekend. I still have shopping to do, and a family Christmas party to go to. So, I am going to be offline until I see the movie. Most people are good at not spoiling movies. But, all it takes is one idiot to post something that will ruin the experience for me. The next couple of weeks will be short due to the holidays. So, the next Top 40 countdown will be in the new year. So, “if you’ll not be needing me, I’ll close down for a while.”
I hope you all have a totally awesome and peaceful holiday season! Until next time, Keep your feet on the ground, and keep reaching for the stars.