
Welcome back to this week’s Top 40 Countdown!!! If you missed the previous songs, you can go ahead and check out songs 40-31, 30-21 and 20-11. We are down to our top 10 songs. We have some true classic songs coming up, so let’s get to it. Let’s Return to the week ending November 27, 1982, and wrap up this week’s countdown.

This song earned Diana Ross her twelfth Grammy Award nomination for Best Female R&B Vocal Performance. Oh BTW, this was written and produced by someone you may or may not heard of – Michael Jackson.

Speaking of Michael Jackson, this was the first single released from his up and coming album, Thriller. At least he got the worst song out of the way! It wouldn’t be so bad if it wasn’t for all that yapping at the end.

Love this song by Joe Jackson! It peaked at #4, and was Jackson’s highest charting hit in the U.S. This song received a Grammy nomination for Record of the Year in 1983 but lost to “Rosanna” by Toto, which is fine by me.

This song, from Hall & Oates’ eleventh studio album, H2O, was a smash hit, hitting #1 and staying there for four straight weeks. This was a staple on MTV.

This iconic ’80s tune was Toni Basil’s only hit. But, boy was it ever a hit, reaching the top of the charts. The legendary Cheerleader video is considered the very first choreographed dance video.

Unfortunately, I am all too familiar with this song. My mom is the biggest Neil Diamond fan, so this was my life. I do like his early stuff a lot. But, I didn’t care much for his easy listening music. This song was written by Diamond, Carole Bayer Sager and her then-husband Burt Bacharach. They were inspired by the blockbuster movie E.T. the Extra-Terrestrial, which Diamond, Bayer Sager and Bacharach had all seen together.

This classic duet is from the film, An Officer and a Gentleman (which I have yet to see). The movie’s producer, Don Simpson, demanded “Up Where We Belong” be cut from An Officer and a Gentleman, saying, “The song is no good. It isn’t a hit.” (Sounds like a Trump tweet. Oh shit, here come the comments and emails!). It’s a good thing Simpson was a movie producer, and not a music producer. The song was a #1 hit in the US for three weeks, won the Golden Globe Award for Best Original Song and the Academy Award for Best Original Song. It also won the BAFTA Film Awards for Best Original Song in 1984. Cocker and Warnes also won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal in 1983.

This is one of those new songs that was placed on a Greatest Hits album. And this song definitely belongs there! I love this ONJ song! It was the first single released off of Olivia’s Greatest Hits Vol. 2, and was nominated for a Grammy Award for Best Female Pop Vocal Performance.

I have always loved Laura Branigan’s voice, and I had a huge crush on her. I was devastated when she died in 2004 from a brain aneurysm. This was Branigan’s signature song. It peaked right here at #2, and remained her for three weeks.

“Hello” seems to get all the love out of Lionel Richie’s ballads. But, this one is my favorite. This was also Richie’s debut solo single. It was the first single released off of his self-titled debut album. The song won a Grammy Award for Richie in the category Best Male Pop Vocal Performance. Not a shabby start for a solo career.
That wraps up this week’s countdown. I hope you enjoyed it. Did you have any favorite songs this week? Are there any that you got sick of hearing? I’d love to hear from you. Until next time, Keep your feet on the ground and keep reaching for the stars.
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