Welcome back to this week’s Top 40 Countdown! If you missed the previous songs, you can go ahead and check out songs 40-31, 30-21, and 20-11. This has been an exciting week for ’80s music! Today, there may be a few songs we haven’t heard much of. However, this list is covered with very familiar songs, and legendary artists. Let’s conclude this week’s countdown, and check them out!
Bucks Fizz was a U.K. pop group that had enormous success in Europe from 1981-84. Although they had no hits in the U.S., they had a string of top 10 hits in the early ’80s. This song was their 6th Top 10 hit.
This song by the synth-pop group, would peak at #3 in the U.K. It did not chart on the Mainstream U.S. chart, but did hit #1 in the U.S. Dance Clubs. I love this band, and Alison Moyet’s voice is so mesmerizing for me.
This one is a bit familiar to everyone around the world. This was the opening track on Thriller, and the fourth single released. It would peak right here this week at #8 in the U.K., and reach #5 in the U.S.
Has anybody seen the Elton John movie, Rocketman? I haven’t seen it yet, but I heard it wasn’t that great. Anyway, this was one of Elton John’s biggest hits of the ’80s. It would peak at #5 in the U.K. and #4 in the U.S.
This was the third single released from Wham!’s debut album, Fantastic. I was not familiar with this song. If I had heard of it when it was first released, I would have made fun of it. I was in the beginning of my rocker phase, and Wham! singing about bad boys would have been funny to me.
Here is a smash hit by the late, great David Bowie, from his iconic Let’s Dance album. This song was written by Bowie and Iggy Pop in 1977, and actually first appeared on Iggy Pop’s debut solo album The Idiot. But, this version was the more successful.
Here is another music legend. This song was Rod Stewart’s final #1 single in the U.K. As the decade went on, Stewart was actually more popular in the U.S. He had a huge amount of success with his Out of Order album in the U.S. This song, from his Body Wishes album, peaked at #14 in the U.S.
And we wrap up this week’s countdown with what I consider one of the most overrated and overplayed songs of the ’80s. There were so many much better songs on their Synchronicity album. However, this is the one that became their signature song. It was a #1 hit in the U.S. for 8 straight weeks, and was #1 here in the U.K. for 4 straight weeks. I may think the song is overrated, but there’s no denying its success. And it does give me nostalgia for the ’80s. So there’s that.
Well, that wraps up this week’s countdown. What a great week of music! I hope you enjoyed it. What were some of your favorite songs? The next Top 40 will be back in the U.S. In the meantime, Keep your feet on the ground, and keep reaching for the stars.
Welcome back as we continue this week’s countdown! If you missed the first 10 songs, you can go ahead and check them out. As I look at this countdown, one thing that really stands out to me is the variety of the different genres of music in one countdown. And it was like this throughout the entire decade. It is something you would never hear today. Now, let’s go back to that glorious time, and Return to the week ending February 11, 1989, and continue the countdown.
And don’t forget, you can click on the song title to listen to/watch the video on YouTube, and you can click on the album cover to get the song from Amazon.
This is the song that will live in music-world infamy, as it was the song that was playing when Milli Vanilli were exposed as lip synchers. Up to that point, they were wildly popular, and even won the Grammy Award for Best New Artist (which they had to return). The sin wasn’t just that they were lip synching, but they were lip synching to somebody else’s vocals. Milli Vanilli get all the attention for the scandal. But, what I want to know is, what ever happened to the real singers, and how ugly could they have been in order to not be allowed to be seen?! They had a lot of great hits, so you would think they would have come out of the shadows, and performed for real.
This song did not sound familiar at all to me. It was actually Breathe’s debut single. It was released in the UK in early 1986. However, it did not chart very high at all, peaking at #77. But, after Breathe’s international success with “Hands to Heaven” and “How Can I Fall?”, “Don’t Tell Me Lies” was reissued, and became much more successful the second time around. It would become their third top 10 hit in the U.S., peaking at #10.
This was the highest charting single of Rod Stewart’s awesome Out of Control album, peaking at #4. It had originally been written for Barbara Mandrell to cover, but Rod Stewart took it instead. This song also features Duran Duran and Power Station guitarist, Andy Taylor.
As the decade was coming to a close, Duran Duran’s sound started changing a bit. Some of it may be due to the musical climate, and some of it may also be that they were now without Andy Taylor. This was Warren Cuccurullo’s first full album with Duran Duran after Andy Taylor’s departure.
This is my favorite Guns N’ Roses tune. “Welcome to the Jungle” and “Sweet Child o’ Mine” rocked. But, they got way overplayed for me. But, I never got sick of this song at all. Each band member really stands out in this song.
Here is another song that I had forgotten about. I wish this got more airplay. It would be Steve Winwood’s fourth and final #1 hit on the Adult Contemporary chart, and would peak at #11 on this chart. The music video was directed by famed director, David Fincher.
I bought the 45 of this song as soon as it was released. There was no need of that. You could not turn on the radio, or put on MTV, without hearing this song. I got so sick of this. This is another one that I like more now after I haven’t listened to it in a while. It was featured on the Buster soundtrack. Between this song, and “A Groovy Kind of Love” from that movie, I would have thought the movie would have been a smash hit. I don’t know a single person who has seen it, and I’m not even sure if it was released in the U.S.
This world-wide smash hit would top the U.S. charts next month. This is a very moving song, with Paul Carrack on vocals, as it addresses a son’s regret over unresolved conflict with his now-deceased father. It would be nominated for four Grammy awards in 1990, including Record and Song of the Year, as well as Best Pop Performance by a Duo or Group with Vocals and Best Video.
That wraps up today’s list of songs. We are halfway through the countdown. What do you think so far? Come back tomorrow as we continue the countdown.
Hi Everybody! Welcome back as we continue the countdown! I understand that as we get into the late 80s, we are starting to lose that classic 80s sound. So, this can be depressing for some. But for me, this was a great time. I had just graduated high school. And because I was working a part time job, I was starting to get my own money. So of course I spent a lot of it on music. The late 80s were good to me as I was coming into my own.
Now, let’s Return back to the week ending November 5, 1988, and continue the countdown!
Great way to start the countdown today! I loved Vixen from the time they first came out and released this song. I actually had this on a 45. If you like this song, you should check out Vixen’s entire self-titled album. Every song is great, and the album would be one of my top “desert island” choices. It should also be noted that Richard Marx was one of the writers of this song.
This was the second single released from Rod Stewart’s awesome Out of Order album. I had lost hope in Stewart staying “forever young” as he was only focusing on big band music in recent years. However, he just released a new pop album, Blood Red Roses on September 28, 2018.
I had totally forgotten about this song. This was the other song released from Elton John’s Reg Strikes Back album, after “I Don’t Wanna Go On with You Like That”. With the exception of a few songs, I still much prefer his 70s music.
This song was inspired for the Girl, Shannon Rubicam, when she saw an actual falling star at one of Whitney Houston’s concerts at the Greek Theatre. The folowing is from Wikipedia: “Initially, the duo did not consider recording it, and instead submitted the song to Clive Davis hoping he would decide to use it on Houston’s next album. He rejected it, suggesting that it did not suit her. The song was then offered to and recorded by Belinda Carlisle for her 1987 release Heaven on Earth, at the insistence of her label, but Carlisle disliked it and refused to include it on the album.”
Well that worked out for Boy Meets Girl, as it became their signature hit.
This was Anita Baker’s biggest hit on the Hot 100 as it would go on to peak at #3. It also topped the Billboard R&B chart for 2 weeks. It also won Grammys for Best Female R&B Vocal performance and Best R&B Song.
This was never one of my favorite Def Leppard songs. However, it was their only #1 hit. I have warmed up to it over the years, and love it now. Part of the reason is the nostalgia factor, and part of it is that it is a great song!
That wraps up today’s list of songs. And what a great list it was! What do you think? What were some of your favorites? What were you doing this week in 1988. I’d love to hear from you. In the meantime, please come back tomorrow as we continue the countdown.
Welcome back as we continue the countdown. If you missed the previous songs, you can go back and check out songs 40-31 and 30-21. In my opinion, this week’s songs just keep getting better and better. Sometimes, there is a little lull, where there are songs that are just meh. But every day has been solid so far, and it will continue. So, lets Return to the week ending November 10, 1984, and continue the countdown.
This song does not get as much attention in the U.S. as much as a lot of Culture Clubs hits. I like this. I don’t know if it’s because of the quality of the song, or because it does not get played to death on radio. This was the lead single from the band’s third album Waking Up with the House on Fire, and peak at #17 in the U.S. It cracked the top 10 in several other countries.
I have no idea how this song got by me. I love it! And I love all three singers. What a great combination. Then add in the fact that this song was written by David Foster and Richard Marx, and this is pure gold.
This was the beginning of Madonna becoming an ’80s icon. She would be cemented in with that status with her next album, Like a Virgin. But, the songs from her self-titled debut album, including this song, laid the groundwork. This was Madonna’s fourth single released from that album, and her first Top 5 hit, peaking at #4.
“Some Guys Have All the Luck” was written by Jeff Fortgang, and originally performed by The Persuaders in 1973, and became a Top 40 hit. Rod Stewart’s version here was more successful, peaking at #10.
Jeff Fortgang was only in the music industry for three years. He went on to become a doctor in Psychology, and still practices in the Boston area today.
I always get excited when I get to play some Pointer Sisters! This song was originally released in 1982, from their album So Excited! and was a Top 40 hit, peaking at #30. It was re-released, after being slightly remixed, on their 1984 album, Break Out, and hit the charts once again, peaking at #9 this time.
Rhode Island in the house!! John Cafferty and the Beaver Brown Band (who are from my home state of Rhode Island) performed this song for the Eddie and the Cruisers soundtrack. This is a fun Springsteenesque rocker. They have a lot of other great songs, but this is their signature song.
This was the fifth and final single released from Lionel Richie’s classic, Grammy winning, Can’t Slow Down album. As with all the other singles taken from Can’t Slow Down (“All Night Long (All Night)”, “Running with the Night”, “Hello” and “Stuck on You”), “Penny Lover” was a top ten hit on the Billboard Hot 100 chart, spending two weeks at #8 in December 1984.
I’m starting to see a pattern this week. This is yet another favorite song of mine by an artist. This was Cyndi’s fourth Top 5 hit in the U.S. It was off her classic She’s So Unusual album. It was originally written and performed by Jules Shear in 1983. In an article in the Chicago Tribune, Jules Shear said, “[it’s] like a big bonus really. Cyndi Lauper does a song (‘All Through the Night’) that’s on a solo record of mine. I just thought, ‘No one’s really going to hear this.’ Then she does it, and it becomes a Top 5 song.”