Welcome back to the conclusion of this week’s countdown! If you’d like to go back too check out the previous songs, you can check out songs 40-31, 30-21, and 20-11. It has been fun going back to this transitional part of my life. We may have been heading into the ’90s, but there are definitely some classic ’80s songs here. So, let’s Return to the week ending February 11, 1989, and wrap up this week’s countdown.
10. “Walking Away” by Information Society
9. “She Wants to Dance With Me” by Rick Astley
8. “I Wanna Have Some Fun” by Samantha Fox
7. “The Lover in Me” by Sheena Easton
6. “All This Time” by Tiffany
5. “When the Children Cry” by White Lion
4. “Born to Be My Baby” by Bon Jovi
3. “Wild Thing” by Tone Lōc
2. “When I’m With You” by Sheriff
Great power ballad by the Canadian rock group, Sheriff. This song was released in 1983 with minor success. Then in November 1988, Brian Philips, Program Director at KDWB in Minneapolis, and WKTI in Milwaukee began playing the song, and eventually other radio stations nationally followed suit. The song shot up to number 1, which was four years after the band separated in 1985. Freddy Curci held the final note of the song for 19.4 seconds, making it the longest-held note for a male pop singer. Curci went on to form the supergroup Alias, and is still with them to this day.
1. “Straight Up” by Paula Abdul
Well, that wraps up this week’s countdown. I hope you enjoyed it as much as I have. We’ll be heading back to the U.K. next time. Until then, Keep your feet on the ground, and keep reaching for the stars.
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We’ll start off today’s songs with a little synth-pop action. There is no mistaking that this is an 80s song. Erasure had some awesome hits in the U.S. in the late 80s. And they were even bigger in the U.K., as they had 24 straight Top 40 hits there. And by 2009, 34 of their 37 chart-eligible singles and EPs had made the UK Top 40, with 17 climbing into the Top 10. They are still very active, and are constantly releasing new albums. The latest was 2018’s World Beyond.
This was the fourth single released from Taylor Dayne’s awesome debut album, Tell It to My Heart. This joins a list of songs about not rushing, such as this, “We Don’t Have to Take Our Clothes Off”, and “Keep Your Hands to Yourself”.
2 years after the release of the legendary Hysteria album, Def Leppard was still dominating the charts. This was the sixth single released off of the album, and had landed at #3.
This is one of those songs that did not look familiar to me at all. But once I heard the chorus, it all came back to me. This is a cute, fun R&B song. It would peak at #13 on this chart, and it was a #1 hit on the Billboard R&B singles chart.
In a decade full of incredible duets, this was one of my favorites. It doesn’t hurt that it is Ann Wilson from Heart and Robin Zander from Cheap Trick that are singing it. Also, it was written by Richard Marx, who knows his way around a power ballad. This was featured on the soundtrack to the 1988 film Tequila Sunrise starring Mel Gibson, Michelle Pfeiffer and Kurt Russell.
The second boy band entry on today’s list. I hate to admit it, but this song is kind of catchy. And the New Kids are local to me, so I won’t trash them. You can’t argue with their success. But, I’d rather watch an episode of Blue Bloods, starring Donnie, instead. They have been touring in recent years, and it sounds like they have been very successful tours. If anybody is willing to admit that they have seen them, please let me know how they are singing these songs. I don’t know if it would be cool and fun, or just weird.
Off of the Rattle and Hum album, this is not one of my favorite U2 songs.
This was the lead single from Karyn White’s debut, self-titled album. Even though I was definitely more into rock in these days, I still liked Karyn White a lot for some reason. This song was written and produced by Kenneth “Babyface” Edmonds, Antonio “L.A.” Reid and Daryl Simmons, and it was the first of four Top 10 singles from Karyn White.
80s CRUSH ALERT!!!! This would be Debbie’s biggest hit, staying at the top of the charts for 3 straight weeks. This was the first single released from her Electric Youth album, ensuring that there would be no sophomore slump. And this was the third song on today’s list for the teen crowd.
This was the debut single for Edie Brickell & New Bohemians. This was the beginning of the end of the ’80s. It could have easily blended in with the ’90s and the singer/songwriters from that period.
, we decided to take a look back and see what happened 30 years ago. Todd “T.G.” Monahan Return to 1989 to go over news events, movie releases, and album releases. This month, we Return to January. If you have anything you would like us to discuss, or if you had any personal stories or milestones from this year, please let us know. You can either comment below, or email us at 
This is the song that will live in music-world infamy, as it was the song that was playing when Milli Vanilli were exposed as lip synchers. Up to that point, they were wildly popular, and even won the Grammy Award for Best New Artist (which they had to return). The sin wasn’t just that they were lip synching, but they were lip synching to somebody else’s vocals. Milli Vanilli get all the attention for the scandal. But, what I want to know is, what ever happened to the real singers, and how ugly could they have been in order to not be allowed to be seen?! They had a lot of great hits, so you would think they would have come out of the shadows, and performed for real.
This song did not sound familiar at all to me. It was actually Breathe’s debut single. It was released in the UK in early 1986. However, it did not chart very high at all, peaking at #77. But, after Breathe’s international success with “Hands to Heaven” and “How Can I Fall?”, “Don’t Tell Me Lies” was reissued, and became much more successful the second time around. It would become their third top 10 hit in the U.S., peaking at #10.
This is a song that I had forgotten about, but remembered when I just started playing it. It sounds very similar to “Wild Wild West”. It would peak right here at #28.
This was the highest charting single of Rod Stewart’s awesome Out of Control album, peaking at #4. It had originally been written for Barbara Mandrell to cover, but Rod Stewart took it instead. This song also features Duran Duran and Power Station guitarist, Andy Taylor.
As the decade was coming to a close, Duran Duran’s sound started changing a bit. Some of it may be due to the musical climate, and some of it may also be that they were now without Andy Taylor. This was Warren Cuccurullo’s first full album with Duran Duran after Andy Taylor’s departure.
This is my favorite Guns N’ Roses tune. “Welcome to the Jungle” and “Sweet Child o’ Mine” rocked. But, they got way overplayed for me. But, I never got sick of this song at all. Each band member really stands out in this song.
Here is another song that I had forgotten about. I wish this got more airplay. It would be Steve Winwood’s fourth and final #1 hit on the Adult Contemporary chart, and would peak at #11 on this chart. The music video was directed by famed director, David Fincher.
This is the second time we see Bobby Brown this week. This is a slower tempo song. It would reach all the way up to #3. The song was written by Kenneth “Babyface” Edmonds.
I bought the 45 of this song as soon as it was released. There was no need of that. You could not turn on the radio, or put on MTV, without hearing this song. I got so sick of this. This is another one that I like more now after I haven’t listened to it in a while. It was featured on the Buster soundtrack. Between this song, and “A Groovy Kind of Love” from that movie, I would have thought the movie would have been a smash hit. I don’t know a single person who has seen it, and I’m not even sure if it was released in the U.S.
This world-wide smash hit would top the U.S. charts next month. This is a very moving song, with Paul Carrack on vocals, as it addresses a son’s regret over unresolved conflict with his now-deceased father. It would be nominated for four Grammy awards in 1990, including Record and Song of the Year, as well as Best Pop Performance by a Duo or Group with Vocals and Best Video.
